{"id":20,"date":"2023-11-07T11:19:53","date_gmt":"2023-11-07T10:19:53","guid":{"rendered":"https:\/\/exciss.blogs.upv.es\/?page_id=20"},"modified":"2025-02-20T13:05:34","modified_gmt":"2025-02-20T12:05:34","slug":"who","status":"publish","type":"page","link":"https:\/\/exciss.blogs.upv.es\/en\/who\/","title":{"rendered":"PROGRAM"},"content":{"rendered":"<p class=\"wp-block-paragraph\">*PROVISIONAL<\/p>\n\n\n\n<h1 class=\"wp-block-heading\"><strong>Day 1<\/strong><\/h1>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Thursday, 20 February<\/strong><strong> 202<\/strong>5<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Venue:&nbsp;<a href=\"https:\/\/maps.app.goo.gl\/a6yRcmNqqcXYLVY38\">Alfons Roig Auditorium. Faculty of Fine Arts of the Universitat Polit\u00e8ncia de Val\u00e8ncia<\/a><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>9:00 &#8211; Registration<\/li>\n\n\n\n<li>9:30 &#8211; Inauguration of the congress with the presence of relevant authorities<\/li>\n\n\n\n<li>10:00 &#8211; Inaugural Conference &#8211; <em><strong>&#8220;<em>Mural painting, risks and emergencies management<\/em>&#8220;. <\/strong><\/em><strong>Simona Sajeva<\/strong>,&nbsp;ISCMP (ICOMOS International Scientific Committee on Mural Painting) and <strong>Rohit Jigyasu<\/strong>,&nbsp;ICCROM (Programme Manager on sustainable urban and built Heritage conservation, disaster and climate risk management &amp; post crisis recovery).<\/li>\n\n\n\n<li>11:00 &#8211; Coffee<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\" style=\"font-style:normal;font-weight:700\">Session 1 &#8211; Module: Wall painting action protocols for emergencies and disasters<br>Sponsor: KERAKOLL<br><strong>Chairman: <strong>Teresa Espejo Arias<\/strong><\/strong>: <em>Universidad de Granada<\/em> (UGR)<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Venue: <a href=\"https:\/\/maps.app.goo.gl\/a6yRcmNqqcXYLVY38\">Alfons Roig Auditorium. Faculty of Fine Arts of the Universitat Polit\u00e8ncia de Val\u00e8ncia<\/a><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>11:30 &#8211; <em><strong><em>ART-RISK, models for Emergency Preparedness and Response in Cultural Heritage.<\/em><\/strong> <\/em><strong>Mar\u00eda del Pilar Ortiz Calder\u00f3n.<\/strong> Universidad Pablo de Olavide<em>&nbsp;&nbsp;<\/em><\/li>\n\n\n\n<li>12:00 &#8211; <strong><em>Emergencies and Heritage: a constant threat.<\/em><\/strong> <strong>Arsenio S\u00e1nchez Hernanp\u00e9rez<\/strong>, T\u00e9cnico Superior de Conservaci\u00f3n Preventiva del IPCE.<\/li>\n\n\n\n<li>12:30 &#8211; Short communications &#8211; Module: Wall painting action protocols (4 communications of 15 min: 10 min communication + 5 min questions)<br>\u00b7 12:30: Michel Salameh. <em>Wall paintings in Palestine, challenges and their implications on conservation<\/em><br>\u00b7 12:45: Marc Panneau \u2013 Delwyn Agostini \u2013 Jordan Boucard \u2013 Lucas Fournie \u2013 Guillaume Quere \u2013 Caroline Syners<sup>&nbsp;<\/sup>\u2013 Fr\u00e9d\u00e9rique Vouve. <em>The HBIM protocol for safeguarding the painted renderings on the northern aditus of Lyon&#8217;s Fourvi\u00e8re theater<\/em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br>\u00b7 13:00: Ana Carrasco Huertas &#8211; \u2013 Teresa L\u00f3pez Mart\u00ednez \u2013 David Dom\u00ednguez Rubio \u2013  Ana I. Calero Castillo. Digital support tools for the restitution of archaeological wall coverings<br>\u00b7 13:15: Simona Sajeva. <em>Mural painting Post-disaster emergency management: considerations on integrating building conditions into damage expeditious survey and documentation method<\/em><\/li>\n\n\n\n<li>13:30 &#8211; Debating &#8211; Module: Wall painting action protocols<\/li>\n\n\n\n<li>14:00 &#8211; Lunch<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Session 2 &#8211; Module: Preventive Conservation of Wall Paintings in the Face of Climate Change and Emergenci<strong>es<\/strong><br>Sponsor: OTEGO<br><strong>Chairman: <\/strong>Domingo Campillo Garc\u00eda: Universidad de Granada (UGR)<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Venue: <a href=\"https:\/\/maps.app.goo.gl\/a6yRcmNqqcXYLVY38\">Alfons Roig Auditorium. Faculty of Fine Arts of the Universitat Polit\u00e8ncia de Val\u00e8ncia<\/a><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>15:00 &#8211; <strong><em>Digitization and 3D reproduction projects for&nbsp;mural paintings&nbsp;conservation, study and dissemination. <\/em>Carlos Bayod Lucini<\/strong>, Project Director of the Factum Foundation<em>.<\/em><\/li>\n\n\n\n<li>15:30 &#8211; <strong><em>Consolidation of mural paintings in the Convent of Nuestra Se\u00f1ora la Real de las Huertas. Reflections and lessons learned after the Lorca earthquake.<\/em><\/strong> <strong>Teresa Valle Fern\u00e1ndez<\/strong>, Spanish Cultural Heritage Institute (IPCE).<\/li>\n\n\n\n<li>16:00 &#8211; Short communications &#8211; Module: Preventive Conservation (4 communications of 15 min: 10 min communication + 5 min questions)<br>\u00b7 16:00: Annemiek Tessing &#8211; Bernice Crjns. <em>Harnessing Technological Advancements for Registration, Conservation and Restoration of Mural Paintings: A Proposal for European Collaboration to use Open Access and FAIR principles<\/em><br>\u00b7 16:15: Aurora Cairoli &#8211; M\u00f3nica Moreno \u2013 Roc\u00edo Ortiz \u2013 Elisabetta Zendri \u2013 Pilar Ortiz. <em>Durability Assessment of Conservation Interventions on Mountain Murals in Italy using Atlas: Art-Risk 5<\/em><br>\u00b7 16:30: Magdalena Skar\u017cy\u0144ska. <em>Hidden in the desert sands. Old Dongola (Sudan): Conservation Efforts and Archaeological Discoveries<\/em><br>\u00b7 16:45: Raquel Asiain&nbsp;\u2013 Eudald Guillamet \u2013 Roberto Onta\u00f1on. <em>Cueva de El Castillo (Puente Viesgo, Espa\u00f1a): Un estudio de caso sobre los m\u00e9todos de conservaci\u00f3n de las pinturas murales rupestres<\/em><br>\u00b7 17:00: V\u00edctor Medina Fl\u00f3rez &#8211; Teresa Espejo Arias &#8211; Ricardo Hern\u00e1ndez Soriano &#8211; Rosario Blanc Garc\u00eda &#8211; Adri\u00e1n P\u00e9rez \u00c1lvarez. <em>Traslado del mural &#8216;El rio&#8217;, de Juan Vida. Restauraci\u00f3n y protecci\u00f3n antiincendios<\/em><\/li>\n\n\n\n<li>17:15 &#8211; Coffee<\/li>\n\n\n\n<li>17:45 &#8211; Debate &#8211; Module: Preventive Conservation<\/li>\n\n\n\n<li>20:00 &#8211; Gala Dinner. restaurant MARINA BEACH CLUB <a href=\"https:\/\/www.google.com\/maps\/place\/Marina+Beach+Club\/@39.4628881,-0.3230206,801m\/data=!3m2!1e3!4b1!4m6!3m5!1s0xd60492c9790cf7f:0x321ab868bfa8fec7!8m2!3d39.4628881!4d-0.3204457!16s%2Fg%2F11kq4fxv71!5m1!1e1?entry=ttu&amp;g_ep=EgoyMDI1MDIxNy4wIKXMDSoASAFQAw%3D%3D\" target=\"_blank\" rel=\"noreferrer noopener\">(see location)<\/a><\/li>\n<\/ul>\n\n\n\n<h1 class=\"wp-block-heading\"><strong>Day 2<\/strong><\/h1>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Friday, 21  February 2025<\/strong><\/h2>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Session 3 &#8211; Module: Review of past inappropriate interventions on mural painting in extreme situations<\/strong><br>Sponsor: CTS ESPA\u00d1A PRODUCTOS Y EQUIPOS PARA LA RESTAURACION S.L.<br><strong><strong>Chairman<\/strong>: <\/strong>Merche S\u00e1nchez Pons. Universidad Polit\u00e9cnica de Val\u00e8ncia (IRP-UPV)<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Venue: <a href=\"https:\/\/maps.app.goo.gl\/a6yRcmNqqcXYLVY38\">Alfons Roig Auditorium. Faculty of Fine Arts of the Universitat Polit\u00e8ncia de Val\u00e8ncia<\/a><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>9:00 &#8211; <strong><em>Preventive preservation and restoration in war emergencies. Methodological innovations applied to the frescoes by Tomaso da Modena in the Chapter Hall of San Nicol\u00f2 in Treviso, affected by the major war events of the 20 th century.<\/em><\/strong> <strong>Giuliano Romalli, <\/strong>Manager in the Italian Ministry of Culture.<\/li>\n\n\n\n<li>9:30 &#8211; <em><strong>The Santos Juanes church of Valencia from fire to innnovative conservation and restoration<\/strong><\/em>. <strong>Pilar Roig Picazo<\/strong>, Professor Emeritus of the Dpto de Conservaci\u00f3n y Restauraci\u00f3n de Bienes Culturales of the UPV and responsible for the restoration of the mural paintings at the Iglesia de los Santos Juanes of Valencia. <\/li>\n\n\n\n<li>10:00 &#8211; Coffee<\/li>\n\n\n\n<li>10:30 &#8211; Short communications &#8211; Module: Review of past inappropriate interventions (4 communications of 15min: 10min communication + 5min questions)<br>\u00b7 10:30: Erika Maddalena&nbsp;\u2013 Carlo Cacace \u2013 Carolina Gaetani \u2013 Ulderico Santamaria. <em>An intervention to be reviewed: the importance of the microclimatic study of the detached wall paintings in the Loggia della Casa Cavalieri Rodi in Rome<\/em><br>\u00b7 10:45 : Diana Pardo. <em>Mural paintings distorted by obsolete restoration criteria<\/em><br>\u00b7 11:00: Giulia Simonelli &#8211; Paola Mezzadri \u2013 Giancarlo Sidoti \u2013 Ludovica Ruggiero. <em>The legacy of silicates in wall paintings conservation: the case of a hypogeal rupestrian church in Matera<\/em><br>\u00b7 11:15: Amparo Peir\u00f3. <em>Revisi\u00f3n de las intervenciones en pintura mural tras el terremoto de Udine (Italia) de 1976<\/em><\/li>\n\n\n\n<li>11:30 &#8211; Debate &#8211; Module: Review of past inappropriate interventions<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Session 4 Module: Wall painting treatments and solutions for works affected by extreme even<strong>ts<\/strong><br><strong>Chairman: <\/strong>B\u00e1rbara Cordero Bellas: Directora General de Hispania Nostra y V\u00edctor Antona del Val: Portavoz del Comit\u00e9 cient\u00edfico de Lista Roja de Hispania Nostra<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Venue: <a href=\"https:\/\/maps.app.goo.gl\/a6yRcmNqqcXYLVY38\">Alfons Roig Auditorium. Faculty of Fine Arts of the Universitat Polit\u00e8ncia de Val\u00e8ncia<\/a><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>12:00 &#8211; <em><strong>Impact of earthquakes on wall paintings \u2013 2020 earthquake in Croatia. <\/strong><\/em><strong>Kristina Kruli\u0107,<\/strong> Head of Department for Wall Paintings and Mosaics at the Croatian Conservation Institute, Zagreb.<\/li>\n\n\n\n<li>12:30 &#8211; <strong><strong><em>Il recupero della memoria: l\u2019intervento sui frammenti della Cappella Ovetari a Padova. <\/em>Michela Gottardo<\/strong>. <\/strong>Restorer at the Restoration Laboratory of Lapidary Materials of the Vatican and Freeland Museums.<strong> <strong>Carlo Giantomasi<\/strong>. <\/strong>Restorer Freeland.<\/li>\n\n\n\n<li>13:00 &#8211; Short communications &#8211; Module: Wall painting treatments and solutions (4 communications of 15 min: 10 min comunicaci\u00f3n + 5 min questions)<br>\u00b7 13:00: Antonio Iaccarino Idelson \u2013 Carlo Serino. <em>Middle ages frescoes in Treviso experiencing two World Wars<\/em><br>\u00b7 13:15 : Annalisa Marra. <em>Volatile Binding Media alternatives to cyclodecane: experimentation and use of menthol in the conservation of mural paintings and stuccoes damaged by seismic events<\/em><br>\u00b7 13:30: Mathilde Tiennot \u2013 B\u00e9atrice Villemin \u2013 Marie Lecasseur \u2013 St\u00e9phanie Jeanson \u2013 Laurent Cormier \u2013 Witold Nowik. <em>Towards restoration of deformed wall paintings on plaster<\/em> <br>\u00b7 13:45: Rosa Gasol Fargas. <em>The recovery of the original chromaticism of mural sets transformed by fire: the case of the mural paintings of Santa Maria de Sixena<\/em><\/li>\n\n\n\n<li>14:00 &#8211; Debate &#8211; Module: Wall painting treatments and solutions<\/li>\n\n\n\n<li>14:30 &#8211; Lunch<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Specific session &#8211; <strong>DANA VALENCIA 2024. NOAH&#8217;S ARK<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Sede: <a href=\"https:\/\/www.google.com\/maps\/place\/Centre+Cultural+La+Benefic%C3%A8ncia\/@39.4783021,-0.3830065,2002m\/data=!3m2!1e3!4b1!4m6!3m5!1s0xd604f5088a4707f:0xc00c92bd387a1755!8m2!3d39.4783021!4d-0.3830065!16s%2Fg%2F122nbszb!5m1!1e1?entry=ttu&amp;g_ep=EgoyMDI1MDEyMi4wIKXMDSoASAFQAw%3D%3D\" target=\"_blank\" rel=\"noreferrer noopener\">Sal\u00f3n de actos Alfons el Magn\u00e0nim del Centre Cultural La Benefic\u00e8ncia. C\/ de la Corona, 36, Ciutat Vella, 46003 Val\u00e8ncia, Val\u00e8ncia<\/a><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>16:00 &#8211; Specific session <strong>DANA VALENCIA 2024. NOAH&#8217;S ARK<\/strong> <a href=\"https:\/\/exciss.blogs.upv.es\/el-arca-de-noe\/\">(see programme)<\/a><\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">CONCERT AT THE PARISH OF SAN NICOL\u00c1S<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>20:00 &#8211; Concert at the <a href=\"https:\/\/maps.app.goo.gl\/6g6bT3XALX53NsTX9\">Parish of San Nicol\u00e1s<\/a> <a href=\"https:\/\/exciss.blogs.upv.es\/wp-content\/uploads\/2025\/02\/programa-concert_final_corto.pdf\" data-type=\"link\" data-id=\"https:\/\/exciss.blogs.upv.es\/wp-content\/uploads\/2025\/02\/programa-concert_final_corto.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">(see programme)<\/a><\/li>\n<\/ul>\n\n\n\n<h1 class=\"wp-block-heading\"><strong>Day 3<\/strong><\/h1>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Saturday, 22 February 2025<\/strong><\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>9:30 &#8211; Visits to the restorations of the <a href=\"https:\/\/maps.app.goo.gl\/UbD6VURAUHZY7MGu7\">Iglesia de los Santos Juanes of Valencia<\/a> and to other monuments of the historic center of the City centre (by dividing in different groups of 10-20 people)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>","protected":false},"excerpt":{"rendered":"<p>*PROVISIONAL Day 1 Thursday, 20 February 2025 Venue:&nbsp;Alfons Roig Auditorium. Faculty of Fine Arts of the Universitat Polit\u00e8ncia de Val\u00e8ncia Session 1 &#8211; Module: Wall painting action protocols for emergencies and disastersSponsor: KERAKOLLChairman: Teresa Espejo Arias: Universidad de Granada (UGR) Venue: Alfons Roig Auditorium. Faculty of Fine Arts of the Universitat Polit\u00e8ncia de Val\u00e8ncia Session [&hellip;]<\/p>\n","protected":false},"author":57162,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-full-width.php","meta":{"footnotes":""},"class_list":["post-20","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/exciss.blogs.upv.es\/en\/wp-json\/wp\/v2\/pages\/20","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exciss.blogs.upv.es\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/exciss.blogs.upv.es\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/exciss.blogs.upv.es\/en\/wp-json\/wp\/v2\/users\/57162"}],"replies":[{"embeddable":true,"href":"https:\/\/exciss.blogs.upv.es\/en\/wp-json\/wp\/v2\/comments?post=20"}],"version-history":[{"count":2,"href":"https:\/\/exciss.blogs.upv.es\/en\/wp-json\/wp\/v2\/pages\/20\/revisions"}],"predecessor-version":[{"id":1432,"href":"https:\/\/exciss.blogs.upv.es\/en\/wp-json\/wp\/v2\/pages\/20\/revisions\/1432"}],"wp:attachment":[{"href":"https:\/\/exciss.blogs.upv.es\/en\/wp-json\/wp\/v2\/media?parent=20"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}